Renaissance Art And archtecture

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 Renaissance Art and Architecture

Introduction

Renaissance architecture is considered the architecture between the 15th and 17th centuries in Europe representing development and revival of elements of ancient Greek and Roman thought and material culture. This was a period when scholars and artists started looking into what they supposed to be a revival of traditional learning.

There are particular qualities and characteristics that represent Renaissance art. Firstly it was a rebirth of the values of an individual. There was renewed emphasize on individuals, and the artists began to focus more on portraying individual characters with real expressions on their faces. It also saw the renaissance of naturalism by putting greater emphasize in the correct form of human bodies. The artists also added a perspective depth to their pictures. They would create a vanishing point in the background of their pictures to emphasize on depth.

Unlike medieval art, renaissance artists portrayed non-religious themes in their paintings. This form of art was also privately owned by individuals. The artists of this form of art became famous, and many of them became even more notable than their art. Instead of statues their art was reborn into sculptures and architecture.

Fillip Brunelleschi was one of the innovators of the Renaissance architecture. For the period of the Renaissance, the principles of art and architecture became combined in recognition of traditional antique and the belief that civilization was a measure of the world. Many features of the medieval continued including the inheritance of methods used in books, oil paintings, and manuscripts.

Brunelleschi produced its first example in the 14th century in the churches of San Lorenzo and San spirit and also in the innovative plan of the dome of the Cathedral that was completed in 1436(Safford 99). The dome was believed to be one of the most astonishing and impressive engineering artistic accomplishments since Roman times. Brunelleschi was in charge for the revitalization of the traditional columnar system. He introduced a new official spatial reliability that was only one of its kinds to the renaissance.

Worldview of the Sixteenth Century

In the 16th century, developments were made in the theories of cosmography, geography, and natural history. Advancements made in engineering, navigation and mining were prominent. The period saw an essential transformation in scientific ideas in institutions supporting scientific research that led to the establishment of modern sciences. (Kantor 2013)

Art came to be considered as a form of knowledge providing humankind with insights into man's position in the universe. To a man like Leonardo da Vinci, it was a means of discovering nature and a record of discoveries. It was practiced according to mathematical ideologies of balance and harmony that were developed at that time. Leonardo was a great inventor; he designed and sketched the first parachute. With its increased fiscal activities, an increase in wealth by many people led to renewed interest in horticultural activities.

Another example of a contributor to the knowledge of plants was Carolus Clusius, who introduced the tulip and other bulbous plants to England. He helped in making the Netherlands a premier exporter of horticultural crops.

Isaac Newton developed the physical laws of motion. Through his innovations, the world is seen as a mechanical clock. Nature is looked at as a resource to be exploited. This has laid an establishment for the industrial revolution and expansion of science with great succession.

Work cited

Safford, Lisa Bixenstine. "Dante In The Italian Renaissance Of Art." Pedagogy 13.1 (2013): 97-104. Academic Search Premier. Web. 10 Apr. 2015.

Kantor, Maxim. "The Renaissance Versus The Avant-Garde." Forum Philosophicum: International Journal For Philosophy 18.2 (2013): 139-168. Academic Search Premier. Web. 10 Apr. 2015.